The 40 Films I Loved Most in 2016 - #40 to 21

Like Christmas decorations and Michael Bublé festive albums, critics' best-of lists start appearing earlier every year. Empire magazine was first out of the gate in 2016, publishing its list of favourites with December barely under way. Oddly, later in the same month, they had to reshuffle their initial selection to find space for Rogue One, making me wonder what the point was of publishing that earlier list in the first place. Crazier still, I heard one critic complain that another film publication had asked her to submit a top-five films of the year selection IN OCTOBER!

In stark contrast to all that, my own personal top 40 is late and unapologetically so - I've taken my time to see as many films from 2016 as possible (171 at the last count) and these are my favourites. They're not necessarily the most innovative, the best acted or the most beautiful to look at, but they are the ones that made the most personal connection with me over the last 12 months. The ones that made me laugh, made me cry, made me think or, occasionally, managed all three.

I keep hearing about how terrible modern cinema is from people who should know better but this has been an excellent year, quality-wise. Yes, there were some disappointments along the way, and maybe you have to increasingly avoid the multiplex if you want to discover the really interesting stuff, but this list could easily have been a top 60 or 70 with every title on it a winner. That's more than one very good to great movie released every week, which can't be bad.

The vagaries of UK release dates always cause problems for year-end best-of lists. You'll find the likes of Spotlight, Joy, and The Big Short on here but in the US and elsewhere they were all 2015 films. Likewise, you will see no mention of Manchester By The Sea, Moonlight or Elle, because they simply haven't been released here yet and therefore don't qualify for inclusion. Basically, if a film was released in the UK between 1 January and 31 December 2016, it was eligible to be featured here.

To avoid confusion/apoplexy, though, I've included the UK release date of all 32 movies - but please feel free to double check my information against this excellent and informative website: www.launchingfilms.com

Now, on with the show...

40. Eye In The Sky
Director: Gavin Hood, UK release date: 15 April
Helen Mirren and the late Alan Rickman are part of a top-secret mission attempting to take out a Kenyan terrorist cell, via drone, without harming the civilians in close proximity. Whether it's an even-handed exploration of modern warfare or a dishonest piece of right-wing military propaganda, Frears' film is certainly an incredibly tense and morally complex affair.

39. Suburra
Director: Stefano Sollima, UK release date: 24 June
Italian mob thriller set on the mean streets of Rome and centring on an ambitious - and entirely crooked - plan to turn the waterfront area into the new Las Vegas. As the scheme causes friction for gangster and politician alike, Sollima (Gomorrah) turns the bombast up to 11, cleverly playing with themes of apocalypse and judgement, while extracting fine performances from his ensemble cast.

38. Chi-Raq
Director: Spike Lee, UK release date: 2 December

Lee's ambitious, free-wheeling adaptation of the ancient Greek play Lysistrata sees a group of women (led by the excellent Teyonah Parris) organise against gun violence in Chicago's Southside. Their decision to withhold sex from the male perpetrators (No peace, No pussy!) causes divisions and conflict. Overlong and a little convoluted at times, but full of great moments, political anger and sheer chutzpah, it's Lee's best film in years.

37. Florence Foster Jenkins
Director: Stephen Frears, UK release date: 6 May
Meryl Streep plays the titular New York socialite with a singing voice like a faulty bull horn in a delightful comic farce that nevertheless has a sliver of tragedy at its core. Streep is a hoot as the pampered 'songbird' convinced of her own greatness and desperate to put on a show at Carnegie Hall. Even better is Hugh Grant (yes, Hugh bloody Grant) as her hero/villain husband.

36. Under The Shadow
Director: Babak Anvari, UK release date: 30 September
Slow-burn psychological horror set in Tehran in 1988, during the Iran/Iraq war, which sees a mother and daughter menaced by a djinn spirit in their apartment block. Anvari's film starts off at a languid pace then gathers speed, tension and atmosphere, building to a gloriously deranged - not to mention frightening - final act. In Farsi, Under The Shadow was the UK’s submission for the foreign language film award at this year's Oscars.

35. Queen Of Earth
Director: Alex Perry, UK release date: 1 July
Dark melodrama which sees broken Catherine (Elizabeth Moss) going to stay with old childhood friend Virginia (Katherine Waterston) at her remote lakeside house. But the two quickly realise they have drifted apart over the years as the tensions between them start to bubble. Both leads are fantastic in a downbeat story about fragility - both of friendship and the human heart.

34. Everybody Wants Some!!
Director: Richard Linklater, UK release date: 13 May
'Spiritual sequel' to the director's superior Dazed And Confused, this time focusing on the members of a 1980 Texas college baseball team. Beer is downed, weed is smoked, trash is talked, and occasionally these likeable jocks get around to hitting a ball or two. Good clean fun bathed in enough rose-tinted nostalgia to float a battleship.

33. Mapplethorpe: Look At The Pictures
Directors: Fenton Bailey and Randy Barbato, UK release date: 22 April
Fascinating documentary chronicling the life and controversial career of US photographer Robert Mapplethorpe, who died of AIDS in 1989. As well as presenting an honest portrait of his many relationships (including with Patti Smith), it expertly charts the increasing sophistication of his work. There was an awful lot more to the (admittedly, somewhat difficult) man than a dozen or so notorious S&M shots.

32. Remainder

Director: Omer Fast, UK release date: 24 June
Tricksy but inventive memory-loss drama in which Tom Sturridge forgets vast swathes of his past when he is hit on the head by an object falling from a London office block. Fast's film has you constantly on the back foot as you aren't sure what's real, what's imagined or simply wrongly recollected, the plot shifting from downbeat melodrama to surreal crime caper as it glides effortlessly through the gears.

31. Little Men
Director: Ira Sachs, UK release date: 23 September
Sachs' poignant tale of gentrification and the poisonous impact it has on two families sees Greg Kinnear's Manhattanites move out to Brooklyn when they inherit a property from a dead relative. His decision to increase the rent of the woman who leases a dress shop in the same building provokes conflict, bad blood and, ultimately, threatens to destroy his son's only real friendship. A coming of age drama steeped in melancholy.

30. Sing Street
Director: John Carney, UK release date: 20 May
John Hughes meets Roddy Doyle in a joyous tale of love, escape and music set in '80s Dublin. Ferdia Walsh-Peelo is Conor, a smitten teenager who forms a band purely so he can spend time with aspiring model Raphina (Lucy Boynton). But his feelings for her bring out the pop star in him and it isn't long before the titular band are dreaming of the big time. There's so much warmth and wit here, and so much about Carney's screenplay that rings true, that it would take me all day to list its merits. Even the songs are great.

29. Café Society
Director: Woody Allen, UK release date: 2 September
A real return to form for the Annie Hall legend after his post-Blue Jasmine slump. Set in the 1930s, Jesse Eisenberg is the Brooklyn boy who travels to Hollywood to take up a job with his uncle (Steve Carrell), the powerful head of a movie studio, only to fall in love with the man's secretary, Kristin Stewart. Suffice to say the path of true love runs anything but smooth in a sharply scripted, beautifully shot and bittersweet dramedy.

28. Zootropolis
Director: Byron Howard & Rich Moore, UK release date: 25 March
Rabbit cop Judy Hopps (Ginnifer Goodwin) teams up with conman fox Nick Wilde (Jason Bateman) to unearth a massive conspiracy in this utterly charming anthropomorphic adventure from Disney. Under the ubiquitous 'You can be anything you want to be' life lessons, there are laughs aplenty, some seriously impressive world building and surprisingly adult themes. The year's best animation.

27. Joy

Director: David O. Russell, UK release date: 1 January

This unconventional biopic of Miracle Mop inventor Joy Mangano has some interesting things to say about the entrepreneurial spirit and American capitalism - i.e. battling to get rich can harm your relationships, strip you of your innocence and play havoc with your dress sense. Jennifer Lawrence, in the title role, is as ridiculously charming as ever, while Russell shakes up the biopic template with dream/fantasy sequences and smart humour.

26. Heaven Knows What

Director: Josh Safdie & Benny Safdie, UK release date: 29 April
Bleak, brutal drugs drama about a homeless heroin addict living from high to high on the streets of New York. Arielle Holmes, who co-wrote the screenplay, is outstanding as vulnerable, damaged Harley. The fact you're told nothing about Harley's past and made to witness her every painful, self-sabotaging act is a smart bit of storytelling because it invites you to condemn her behaviour and lifestyle. To see her and her friends as less than the desperate human beings they are. It's a provocation, but a forcefully delivered one.

25. Anthropoid

Director: Sean Ellis, UK release date: 9 September

Cillian Murphy and Jamie Dornan are soldiers parachuted into Nazi-occupied Czechoslovakia to assassinate SS General Reinhard Heydrich, the Reich's third in command (after Hitler and Himmler) and the architect of the Final Solution. On the face of it, Anthropoid - based on a true story - is a compelling and visceral war-time action thriller, but dig beneath the explosions and espionage, and you'll find a heartfelt paean to bravery and sacrifice. Powerful stuff.

24. Sonita
Director: Rokhsareh Ghaemmaghami, UK release date: 21 October
Compelling documentary recounting the heart-breaking/uplifting story of a 14-year-old Afghan refugee living in Iran with big dreams of becoming a rapper. The film focuses mainly on the titular Sonita's development as an artist, her friendship with filmmaker Ghaemmaghami but, most of all, on her attempts to break free from the diktats of Afghan culture, as her mum tries to sell her into marriage.

23. Welcome To Me
Director: Shira Piven, UK release date: 25 March
Ghostbuster Kristen Wiig is a revelation as Alice, a bipolar woman who scoops $86million in the lottery and - inspired by Oprah Winfrey - uses the cash to buy her own (bizarre) talk show. It's surreal, sad, funny and human but most importantly refuses to patronise or infantilise its protagonist. One of 2016's most underrated movies and worth checking out for Alice's hilarious 'swan entrance' alone.

22. The Big Short

Director: Adam McKay, UK release date: 22 January

A breathlessly entertaining dissection of 2008's global financial meltdown, seen through the eyes of the men who knew it was coming and got filthy rich as a result. Steve Carell, Christian Bale, Brad Pitt and Ryan Gosling are all great and McKay must be applauded for the inventive, fun ways in which he explains some pretty tricky concepts. Smug? A bit. Smart? Most definitely.

21. Evolution
Director: Lucile Hadzihalilovic, UK release date: 6 May

Set in a seaside town populated only by young boys and women, Evolution evokes David Lynch, David Cronenberg and, perhaps most of all, HP Lovecraft. The boys are given weird medicine and fed disgusting-looking food by the women, who then conduct medical experiments on them at a local hospital. It's a dizzying and disturbing piece of work that is also hauntingly beautiful to look at.

**Next up: Numbers 20-11**

Your Christmas In Film: 21 movies not to miss

It's a jungle out there: Disney's Zootropolis is a wild animated ride 

There are plenty of movies to get your teeth into over the festive season on TV, DVD, VOD and Blu-ray, from modern greats and hidden gems to genuine cinematic classics. Here's my pick of the bunch...

Sonita (2015)
Where: View On Demand
When: available now
Powerful documentary recounting the heart-breaking/uplifting story of a 14-year-old Afghan refugee living in Iran with big dreams of becoming a rapper. The film focuses mainly on her development as an artist, her friendship with director Rokhsareh Ghaemmaghami but, most of all, on her attempts to break free from the diktats of Afghan culture, as her mum tries to sell her into marriage.

The Jungle Book (2016)
Where: Sky Cinema Premiere
When: from Christmas Day, 8pm
A rich and rewarding adaptation of Rudyard Kipling's original stories that also pays fulsome homage to the beloved 1960s animation ('The Bare Necessities', 'Trust In Me' and 'I Wan'na Be Like You' all get an airing). You'd be hard pressed to find more immersive CG anywhere and the voice cast is uniformly terrific (Idris Elba, Ben Kingsley, Bill Murray, Scarlett Johansson).

Popstar: Never Stop Never Stopping (2016)
Where: DVD, Blu-ray and VOD
When: from Boxing Day
Brooklyn Nine-Nine's Andy Samberg stars as egomaniacal popstar Conner4Real in a frequently hilarious mockumentary that gives the Bieber generation the same kind of kick up the backside that This Is Spinal Tap administered to the rock community 30 years ago. The jokes come thick and fast but it's songs like 'Equal Rights (Not Gay)' and 'Finest Girl (Bin Laden Song)' that are the real highlights.

True Belieber: Popstar's Andy Samberg

The Lady In The Van (2015)
Where: BBC2
When: Christmas Eve, 9pm
The real-life tale of Miss Sheperd (The Best Exotic Marigold Hotel's Maggie Smith), an itinerant eccentric who lived in a van parked on acclaimed playwright Alan Bennett's drive for 15 years. Nicholas Hytner's film (screenplay by Bennett himself) is nicely written and acted, but perhaps makes light of its tragic central character just a little too much.

Zootropolis (2016)
Where: Sky Cinema Premiere
When: from Christmas Eve
Rabbit cop Judy Hopps (Ginnifer Goodwin) teams up with conman fox Nick Wilde (Jason Bateman) to unearth a massive conspiracy in this utterly charming anthropomorphic adventure from Disney. Under the ubiquitous 'You can be anything you want to be' life lessons, there are laughs aplenty, some seriously impressive world building and surprisingly adult themes. The year's best animation.

April And The Extraordinary World (2015)
Where: Amazon Prime Video
When: available now
This beautifully rendered and incredibly imaginative animation, set in a Steampunk version of 1940s France, is a delight from beginning to end. Yes, the plot is utterly daft (something about an invincibility potion and talking animals) but that's easy to forgive amidst all the mad science and breathless derring-do. Marion Cotillard voices the titular April.

April cool: Extraordinary World is something special 

The Act Of Killing (2012)
Where: Sky Atlantic
When: December 20, 2am
Jaw-dropping documentary about the Indonesian genocide of communists in the 1960s. Joshua Oppenheimer focuses on the leaders of the government death squads, men whose heinous acts have made them heroes and celebrities in their homeland. Proceedings take a bizarre turn when the killers are invited to re-enact their crimes as if in a gangster movie, complete with make-up and props, and readily agree.

Pride (2014)
Where: BBC2
When: Boxing Day, 10.30pm

I was worried Matthew Warchus's film was going to be twee and patronising – a Richard Curtis-style take on the 1984 Miner’s Strike with all the difficult, political stuff taken out. On the contrary, Matthew Beresford’s script is hilarious and moving, every performance is spot-on (especially those of Paddy Considine and Ben Schnetzer) and it's unapologetically left-wing. A real tonic after 2016's myriad political woes.

Westworld (1973)
Where: Amazon Prime Video
When: available now
Yul Brynner is the iconic Gunslinger in Michael Crichton's smart sci-fi, which sees adults holidaying in a robot-populated theme park made up of worlds based on the Wild West, Ancient Rome and Medieval England. Things start to go haywire when the life-like automatons slip their programming and rebel against their human masters. Rather less ponderous and po-faced than the recent HBO TV adaptation.

Top gun: Westworld's Yul Brynner is quick on the draw

Blue Is The Warmest Colour (2013)
Where: Film4
When: December 28, midnight
The touching, explicit and quietly devastating story of a passionate affair between two young women – played by Léa Seydoux and Adèle Exarchopoulos. It's perhaps too long and does get a bit gratuitous (the actresses fell out with director Abdellatif Kechiche over the sex scenes), but I'm not sure there's a recent film that better captures the raw, gut-churning power of love and loss.

Interstellar (2014)
Where: Amazon Prime Video 
When: from December 20
Astronauts Matthew McConaughey and Anne Hathaway are blasted through a wormhole to find a new home, after drought and famine make Earth uninhabitable, in Christopher Nolan's sci-fi epic. It’s too long, the last half-hour doesn’t work at all and its desperation to carry the same philosophical heft as Kubrick's 2001 is palpable. But, for all that, Interstellar is an ambitious, absorbing and intermittently thrilling piece of work.

Alan Partridge: Alpha Papa (2013)
Where: BBC2
When: December 22, 11.05pm
Steve Coogan's maladroit DJ alter-ego is resurrected as an action hero (of sorts) as he becomes embroiled in an armed siege at the local radio station where he works as a presenter. Imagine Die Hard set in Norwich with jokes and you're halfway there. Transferring a beloved TV character to the big screen is notoriously tricky but Partridge passes with flying colours in a laugh-packed 90 minutes.

Under siege: Alan turns action hero in Alpha Papa

The Brides Of Dracula (1960)
Where: The Horror Channel
When: December 22, 02.40am
Vampire hunter Van Helsing (Peter Cushing) returns to Transylvania to do battle with the suave but fiendish bloodsucker Baron Meinster (David Peel), who has designs on a beautiful young school teacher (Yvonne Monlaur). Despite the title, Dracula himself is disappointingly AWOL but this Hammer horror is still a lot of camp fun, especially after a couple of sherries.

Hunt For The Wilderpeople (2016)
Where: VOD
When: available now
Charming, funny and really rather touching New Zealand buddy comedy from What We Do In The Shadows director Taika Waititi. When tragedy strikes, hip-hop obsessed city kid Ricky (newcomer Julian Dennison) has to go on the run with his grumpy foster dad Hec (Sam Neill). Laying low in the bush, they bicker, they bond, and do their best to avoid the authorities slowly closing in on them.

On The Waterfront (1954)
Where: Netflix
When: from December 21

Elia Kazan may have been a rat but only a fool would knock his ability as a director. Here, he extracts an electrifying performance from Marlon Brando as a wannabe prize fighter standing up to corrupt union bosses trying to cover up a murder. On The Waterfront may be a little melodramatic for modern tastes but it won eight Oscars for a reason - it's an incredibly powerful piece of work.

Deep Water: Brando stands up to corruption

The Wicker Man (1973)
Where: The Horror Channel
When: Christmas Day, 10.55pm

Nothing says 'festive' quite like a crazy cult movie full of murder, madness and paganism. Edward Woodward plays the strait-laced copper investigating the disappearance of a young girl on a remote Scottish island, Christopher Lee the island's sinister leader with an even more sinister secret. We lost director Robin Hardy earlier this year so this Christmas Day screening provides a nice tribute.

Casablanca (1942)

Where: ITV3
When: December 18, 3.45pm
Screening this most celebrated of films on ITV3 is like exhibiting a Renoir in a public toilet but, if you don't have it on DVD, sometimes you have to take the rough with the smooth. Suffice to say, the Bogart-Bergman classic is one of the finest romantic adventure movies ever made and its influence remains undimmed (this year's Allied being its most recent progeny).

Little Men (2016)

Where: Netflix
When: from New Year's Eve
Ira Sachs' poignant tale of gentrification and the poisonous impact it has on two families sees Greg Kinnear's Manhattanites move out to Brooklyn when they inherit a property from a dead relative. His decision to increase the rent of the woman who leases a dress shop in the same building provokes conflict, bad blood and, ultimately, threatens to destroy his son's only real friendship. A coming of age drama steeped in melancholy.

Broken bonds: Friendship is threatened in Little Men

Blue Jay (2016)

Where: Netflix

When: available now

Sarah Paulson (Carol) and Mark Duplass (Zero Dark Thirty) play former high school sweethearts who bump into each other after more than 20 years apart and realise the bond they shared remains strong. Filmed in moody black and white, it's a powerful two-hander (hardly anyone but the leads gets a look in), filled with the ache of loss and regret. 

Café Society (2016)

Where: DVD, Blu-ray and VOD
When: from Boxing Day
A real return to form for the great Woody Allen after his post-Blue Jasmine slump. Set in the 1930s, Jesse Eisenberg is the Brooklyn boy who travels to Hollywood to take up a job with his uncle (Steve Carrell), the powerful head of a movie studio, only to fall in love with the man's secretary, Kristin Stewart. Suffice to say the path of true love runs anything but smooth in a sharply scripted, beautifully shot and bittersweet dramedy.

West Side Story (1961)

Where: Channel 5

When: Boxing Day, 2.20pm

I'm loathe to recommend any film shown on ad-break riddled commercial TV but this is simply too good to miss. Robert Wise and Jerome Robbins' classic adaptation of the stage musical, based on Shakespeare's Romeo And Juliet, sees Natalie Wood* and Richard Baymer sing and dance up a storm as star-crossed lovers from rival gangs in 1950s New York. Best. Musical. Ever.

Sing street: It's Sharks v Jets in West Side Story

*Although, lest we forget, Wood's singing voice was overdubbed by Marni Nixon, who passed away this year.

Your Week In Film will return in January but up next is the third annual
As Human As The Rest Of Us review of the year, including my favourite - and least favourite - films of 2016...

Zootropolis, The Fall and Young Frankenstein: Your Week In Film (July 25-31)

Animal Magic: Zootropolis is smarter than the average animation

UK TV, Radio, DVD, Blu-ray, VOD and cinema picks for the next seven days...

Monday 25th: Rabbit cop Judy Hopps (Ginnifer Goodwin) teams up with conman fox Nick Wilde (Jason Bateman) to unearth a massive conspiracy in Zootropolis (VOD, DVD and Blu-ray), an utterly charming anthropomorphic adventure from Disney. Under the ubiquitous 'You can be anything you want to be' life lessons, there are laughs aplenty, some seriously impressive world building and surprisingly adult themes (when was the last time you saw a 'kids' film' tackle racial profiling?). Byron Howard and Rich Moore's movie is also beautifully written and animated, and packed full of memorable scenes. Not sure why its original US title - Zootopia - was changed for the British market though. We pretty much invented puns over here, you know. Somewhat bleaker is The End Of The Tour (VOD and DVD). Jason Segel and Jesse Eisenberg are both terrific in a sharp, character-led drama about David Foster Wallace, the acclaimed author of Infinite Jest. Segel, who you will know and probably dislike from bad US sitcoms (How I Met Your Mother) and worse US movies (Sex Tape), is a revelation as the troubled author as he slowly but surely opens up to Eisenberg's pushy journalist. I haven't seen Chet Baker biopic Born To Be Blue yet but will give it a mention here as the film is getting a simultaneous multi-platform release. You can see Robert Budreau's movie - which stars Ethan Hawke as the American jazz trumpeter and vocalist - on VOD, DVD, Blu-ray and in cinemas from today. I dream of a time when all new films can be viewed in the same way. Elsewhere, there's The Complete Buster Keaton Short Films 1917-1923 (Blu-ray), a lovingly-assembled four-disc boxset featuring all 32 of the silent movie legend's shorts, plus a ton of extras. Stanley Kubrick's glorious Dr. Strangelove Or: How I Learned To Stop Worrying and Love The Bomb (Blu-ray) is the latest release to be given the swanky Criterion Collection treatment. "Gentlemen, you can't fight in here! This is the War Room!"

Treasure Jest: The End Of The Tour is a sharp drama

Tuesday 26th: The Wolfpack (22:10, Sky Atlantic) is the head-spinning true story of the Angulos, six brothers raised in a small apartment in Manhattan’s Lower East Side and only very rarely allowed to venture into the outside world by their insanely overprotective parents. Isolated from society, the boys seek refuge in movies, building elaborate props and costumes as they re-enact favourite scenes from the likes of Reservoir Dogs and The Dark Knight. But what happens when they’re all grown up and no longer need follow their parents' diktats? Director Crystal Moselle’s documentary was one of last year's best, even if some journalists accused it of playing fast and loose with the facts of the Angulos' situation. Cary Grant and Grace Kelly star in Alfred Hitchcock's To Catch A Thief (14:25 and 04:00, Sky Cinema Select). The comedy/thriller from 1955 may be one of Hitch's lighter films, but it has charm and wit to burn, plus two leads at the top of their game. Online subscription service MUBI is showing On The Waterfront from today. Marlon Brando is the ex-boxer taking a stand against corrupt union bosses in Elia Kazan's powerful 1954 drama which won eight Oscars.

Real Steal: Hitchcock's To Catch A Thief

Wednesday 27th: Well, this is embarrassing. Despite being a fan of both Matt Damon and director Paul Greengrass (It took me about two days to get over United 93 after first seeing it), I've never caught ANY of the Bourne films. Let's call it The Bourne Insufficiency. The latest in the high-octane action series - simply titled Jason Bourne - is in cinemas from today and I clearly have some catching up to do. Also on release from today is The Fall, a documentary that reunites runners Zola Budd and Mary Decker 30+ years after their infamous clash in the 3000 metres final at the 1984 Los Angeles Olympics. Budd - a white South African parachuted into the British team to get round the then-in-force sporting boycott of apartheid - accidentally tripped her American rival during the race and was so mortified she lost the will to go for gold herself. The film is also being shown on Sky Atlantic on Friday (21:00) and repeated on Sunday (12:00). John C Reilly is taken under the wing of Philip Baker Hall's professional gambler in Paul Thomas Anderson's superb Hard Eight (Netflix UK). Everything runs smoothly until he falls in love with Gwyneth Paltrow's cocktail waitress. The ensemble cast - which also includes Samuel L Jackson and Philip Seymour Hoffman - is impressive, Anderson revels in the low-key, sleazy world of casinos and motel rooms, and the twists are worth waiting for. 

Natural Bourne killer: Damon and Greengrass reunite 

Thursday 28th: Steven Spielberg's debut feature Duel (Horror Channel, 10:00) from 1971 sees Dennis Weaver's mild-mannered businessman relentlessly terrorised by the psychotic driver of a truck. It's been called 'Jaws on the highway' and that's a pretty good description of a smart chase movie full of tension and thrills. Jason Bourne director Paul Greengrass gives presenter Francine Stock a masterclass in how to direct a thriller in this week's The Film Programme (16:00, BBC Radio 4).

Fury road: Dennis Weaver is in big trouble in The Duel

Friday 29th: Ryan O'Neal is the titular Barry Lyndon in Stanley Kubrick's 10th film, a slow but rewarding 18th Century-set drama which returns to cinemas today. The extravagant period piece (which won four Oscars) sees O'Neal's young Irish rogue shoot a love rival in a duel before embarking on a series of 'misfortunes and disasters', as he battles his way from nothing to become part of the English aristocracy. Long seen as one of Kubrick's lesser works, it seems to have enjoyed something of a critical renaissance in recent years, possibly helped by the likes of Martin Scorsese heaping praise upon it. And quite right too. Also in cinemas is The Commune (VOD and cinemas), a 'bittersweet comedy' from Festen director Thomas Vinterburg; Pixar animation sequel Finding Dory, and Author: The JT LeRoy Story, a documentary recounting the intriguing tale of Laura Albert, a 40-year-old Brooklyn woman who created a 'public avatar' (the titular LeRoy) who quickly became a successful author. More complex and interesting than a mere hoax, Albert used the fake persona to write about painful events from her life she'd have found difficult to discuss under her own name. The Guardian Film Show was a popular weekly video review of new releases that ran for several years on the newspaper's website, until it was controversially canned in a round of cost cutting earlier this year. They tried a daily podcast after that which was pretty awful but now the spirit of the Film Show has returned in the form of The Guardian Film Review. A regular weekly podcast, it's the same as the original show, only presenter Xan Brooks is noticeable by his absence and its audio not video. Still, some fine critics are still on board, including the learned Peter Bradshaw and caustic Catherine Shoard, which makes it worth a listen. Edith Bowman and Robbie Collin sit in for the regular presenters on Kermode And Mayo's Film Review (14:00, BBC Radio 5 Live). Finding Dory star Ellen Degeneres is their guest. MUBI wrap up their season dedicated to Nicolas Winding Refn with My Life, a documentary made by the Danish director's wife, Liv Corfixen, which documents the making of Only God Forgives.

Rogue one: Ryan O'Neal is Barry Lyndon 

Saturday 30th: Versus: The Life And Films Of Ken Loach (21:10, BBC Two) is a celebratory documentary charting the 50-year career of the much-acclaimed British director of Kes, The Wind That Shakes The Barley and the forthcoming I, Daniel Blake. The 80-year-old filmmaker's Sweet Sixteen (23:40, BBC Two) - about a young boy trying to raise the cash to help his mum escape a pair of abusive relationships - follows later in the evening. Elsewhere tonight there's Clint Eastwood's classic revenge western Unforgiven (22:50, ITV4), Arnie fights an alien badass tougher than ALF and E.T. combined in Predator (21:00, Film 4), and the Wachowskis give us Bound (23:10, Film4), a thoroughly enjoyable lesbian crime caper starring Gina Gershon and Jennifer Tilly.

Too much, too young: Ken Loach's Sweet Sixteen

Sunday 31st: Mel Brooks' joyously demented Young Frankenstein (16:40, Movie Mix) is easily your best bet today. For what it's worth, the plot goes like this: neurosurgeon Frederick (Gene Wilder) is the American grandson of Victor von Frankenstein and, having inherited his dead relative's castle, travels to Transylvania. There he encounters hunchback assistant Igor (Marty Feldman) and quickly realises his grandfather's work on reanimating the dead wasn't quite as crazy as he'd first thought. Madness and hilarity ensue. Endlessly quotable ("Fronkensteen"), gloriously silly and laugh-out-loud funny, it's probably only second to The Producers as Brooks' finest moment. 

Monster fun: Wilder in Mel Brooks' Young Frankenstein

UK box office Top 10
1. Ghostbusters R
2. Ice Age 4: Continental Drift 
3. The Secret Life Of Pets
4. The Legend Of Tarzan R
5. Absolutely Fabulous: The Movie
6. Secret Cinema: Dirty Dancing
7. Now You See Me 2
8. Central Intelligence 
9. Independence Day: Resurgence 
10. The Conjuring 2: The Enfield Case

R = Recommended

All information correct at time of publication

Carol v Krampus: Dawn Of Justice (Your Week In Film March 21-27)

Superman, Wonder Woman and Batman team up in Dawn Of Justice

TV, Radio, DVD, Blu-ray, VOD and cinema picks for the next seven days...

Monday 21st: Carol (DVD, Blu-ray and VOD) is so classy and graceful it makes Breakfast At Tiffany's look like The Toxic Avenger. Todd Haynes' adaptation of Patricia Highsmith's novel The Price Of Salt is set in 1950s New York and tells the story of a forbidden love affair between unhappy socialite Cate Blanchett (the titular Carol) and Rooney Mara's Therese, a department-store clerk with dreams of being a photographer. The plot is minimal and Haynes takes his time exploring his main characters' lives, the evolution of their feelings for each other and how that impacts upon their other relationships (Carol is married to Kyle Chandler's boorish drunk Harge). Blanchett is even more magnetic than usual and Sarah Paulson excels in a supporting role, while Haynes once again proves himself a consummate storyteller and an absolute demon when it comes to period detail. Also out today and deserving of your attention is riotous transgender comedy Tangerine (DVD, VOD), Jean-Luc Godard's influential crime flick Bande à Part (BR), and Nic Roeg's unsung masterpiece Eureka (dual format). The latter pair are high-definition transfers packed with extras.

Cate Blanchett is magnetic in Todd Haynes' Carol

Tuesday 22nd: Krampus (Netflix) is an enjoyable Christmas horror/comedy about a demonic Santa Claus, starring Adam Scott and Toni Collette. I'm not sure it's exactly what you'd call a perfect fit for the early days of spring though. Rather more serious is twisty romantic thriller The Two Faces Of January (23:35, Film4) which boasts a strong cast in Viggo Mortensen, Kirsten Dunst and Oscar Isaac.  

Krampus: Probably best to stay off his naughty list

Wednesday 23rd: Catch Me Daddy (23:15, Film4) is an oppressive and brutal British 'honour killing' drama about a young couple on the run on the Yorkshire Moors from the girl's vengeful father. First-time director Matthew Wolfe blends elements of social realism, thriller and the western (The Searchers has been mentioned as an influence) to great effect while newcomer Sameena Jabeen Ahmed is a revelation as Laila. The great Woody Allen still pops up with the occasional humdinger (Blue Jasmine) but, sad to say, Midnight In Paris (Amazon Prime Video) isn't one of them. This tale of a frustrated writer (Owen Wilson) swept back in time to hang out with his literary heroes (including Ernest Hemingway and F Scott Fitzgerald) is amiable, romantic and steeped in nostalgia but never really sharp enough. MUBI’s John Cassavetes retrospective continues with crime thriller Gloria, starring Gena Rowlands as a showgirl who becomes the reluctant guardian of a young boy after his family are killed by the mob. 

Catch Me Daddy is oppressive, brutal and British

Thursday 24th: Antonia Quirke talks to Ben Affleck on The Film Programme (16:00, BBC Radio Four) about stepping into the Dark Knight's cape and cowl for Batman v Superman: Dawn Of Justice, which opens on Friday. After the charmless festival of shonky CGI that was Zack Snyder's Man Of Steel, I don't have particularly high hopes, to be honest.

Dawn Of Justice: Don't fuck it up this time, Snyder!

Friday 25th: Zootropolis was previewed in cinemas last week but officially opens today. Disney's animated tale of a rabbit cop (Ginnifer Goodwin) and her sly fox of a partner (Jason Bateman) is a breathless romp packed with gags, thrills and some surprisingly heavy themes (prejudice and intolerance). Me and my kids loved it. Also hitting your local multiplex today is Welcome To Me (Kristen Wiig as a mentally ill woman who wins $23million on the lottery), Disorder (Matthias Schoenaerts as a soldier-tuned-bodyguard with PTSD), and Speed Sisters (documentary about an all-woman street-car racing team in Palestine). Meanwhile, Curzon Home Cinema continues its fine tradition of showing new films at the same time as they are released in theatres with Iona. Ruth Negga - soon to be seen in HBO's adaptation of the Preacher comic-book - stars as a young woman fleeing Glasgow with her son after a brutal crime. Elsewhere, Ian McKellen is quite superb as an ageing Sherlock in Mr. Holmes (Amazon Prime Video).

Zootropolis: Great gags and surprisingly adult themes

 

Saturday 26th: The Heat (21:00, Channel 4) is a foul-mouthed cop comedy starring Melissa McCarthy and Sandra Bullock as mismatched law enforcement officers stepping on each other's toes as they try to bring down a Boston drug lord. In some hands it would be a disaster but Katie Dippold's sharp script and director Paul Feig (Bridesmaids, Spy) bring the best out of McCarthy and Bullock, who have genuine chemistry. Oscar-winning Pixar animation Inside Out hits Sky Movies Premiere today (16:30 and 20:00), while psychic super-beings go to war in David Cronenberg's Scanners (00:45, Horror Channel). Still head-explodingly great. 

Bullock and McCarthy tear it up in The Heat

Sunday 27th: Nothing says Easter quite like Quentin Tarantino's riotous WWII action-adventure Inglourious Basterds (23:00, Channel 4). The director's career was certainly in need of resurrection after the disappointing grindhouse dead-end of Death Proof. Here, Brad Pitt is the leader of the titular Basterds, a crack team of Nazi hunters out to destroy Hitler and his high command. Funny, violent and a bit too long - typical of recent Tarantino in other words.

Hitler's high command is the target in Inglourious Basterds

The last 5 films I saw (from great to... actually, they're all pretty great this week)
1. The Witch (2015): Writer/director Robert Eggers' masterful exercise in slow-burn horror sees a 17th century Puritan family battling demons within and without. Utterly unsettling and filled to the brim with palpable dread, it's probably my favourite film of the year so far.
2. Divorce Iranian Style (1998): Eye-opening documentary about a Tehran divorce court focusing on several real-life cases. The British film crew are afforded extensive access to proceedings, some of which will make your jaw drop.
3. Down Terrace (2009): Ben Wheatley's debut feature is a bitterly comic subversion of the crime family drama. These cut-price Corleones are based in Brighton and, in between smoking endless weed and bickering, spend their time steeped in blood-thirsty paranoia.
4. Run Lola Run (1998): Time-warping thriller featuring Franka Potente as the titular Lola, desperately trying to get her hands on 100,000 German marks to save the life of her boyfriend. Three different scenarios play out at a frantic pace as director Tom Tykwer merges animation and live action to winning effect.
5. Anomalisa (2015): Ennui-filled but fascinating adult stop-motion puppet animation from co-directors Charlie Kaufman (Synecdoche, New York) and Duke Johnson. David Thewlis (Macbeth) and Jennifer Jason Leigh (The Hateful Eight) provide the voices. 

Run Lola Run: Let's do the time warp again

UK box office top 10 

1. Kung Fu Panda 3
2. The Divergent Series: Allegiant
3. London Has Fallen
4. Deadpool R
5. Hail, Caesar! R
6. Grimsby R
7. The Witch R
8. How To Be Single
9. Alvin And The Chipmunks: The Road Chip
10. Anomalisa R

R = Recommended