Showing posts with label #lucy. Show all posts
Showing posts with label #lucy. Show all posts

Saturday, 17 January 2015

Reviews: Night Moves, Lucy, Goodbye to Language


Night Moves
Director: Kelly Reichardt
Starring: Jesse Eisenberg, Dakota Fanning, Peter Sarsgaard
Running time: 112mins
Three radical environmentalists blow up a hydroelectric dam and then must deal with the unintended consequences of their actions in Reichardt’s low-key thriller. It’s a great premise exploring the fine line between protest and criminality, and the film looks immaculate (courtesy of cinematographer Christopher Blauvelt). Somehow, though, it doesn’t work. In fact, I found a lot of Night Moves terribly clichéd, especially the characters. Fanning’s Dena is an archetypal rich-girl radical, Eisenberg’s Josh is “deep” and taciturn, while Sarsgaard is Harmon, a cynical, burnt-out marine. These are caricatures not characters, and I almost clicked the “off” switch the moment one of the other protesters started offering to “read people’s auras”. Satire is one thing but this just felt lazy. That said, I’m a stickler for strong endings and at least Night Moves delivers in that respect. Bit too late though.
Rating: W

Night Moves is available now on DVD, Blu-ray and VOD



Lucy
Director: Luc Besson
Starring: Scarlett Johansson, Morgan Freeman, Min-sik Choi
Running time: 89mins
For a film about unlocking the vast potential of the human mind, Lucy is spectacularly dumb. Built upon the apocryphal notion that we can only access 10 per cent of our brain’s potential, Besson sets about showing us what might happen when that is boosted tenfold. If we’re Johansson’s Lucy, it turns out we’d transform into vengeful, superhuman killers, despatching an army of malicious foreigners as we blaze a trail of destruction back to the door of the drug overlord who wronged us. Having played the Black Window with distinction for a few years now, Johansson could do this stuff in her sleep but still manages to impress; bruised vulnerability early on, giving way to a kind of post-human glacial calm in the film’s latter stages. It’s probably the final 15 minutes that is the most rewarding here as Lucy’s brain power gets closer and closer to the magic 100 per cent and things take a turn for the weird. Yes, like a lot of Besson’s films, it’s loud, flashy and utterly silly but if Lucy 2 opened tomorrow I’d almost certainly buy a ticket.
Rating: WW

Lucy is available now on DVD, Blu-ray and VOD



Goodbye to Language
Director: Jean-Luc Godard
Starring: Héloïse Godet, Kamel Abdeli, Richard Chevallier
Running time: 70mins
Godard is arguably the most famous and celebrated French filmmaker in history. He pioneered the country’s Nouvelle Vague (New Wave) movement in the 1960s and is responsible for films widely regarded as classics on both sides of the Atlantic, such as Breathless and Alphaville. At the age of 84 he’s still going strong and Goodbye to Language – a baffling but beguiling visual poem about communication and relationships, starring his dog Roxy(!) – was recently named film of the year by the influential and prestigious US National Society of Film Critics, just pipping Boyhood. But there’s a problem. The film was shot in 3D and, to understand and appreciate it properly, really needs to be seen in that format, something that has proved tricky in the UK. Unlike blockbuster 3D movies, it only had a very limited cinema release and, although a 3D Blu-ray is available, I can’t imagine many Godard fans actually owning a compatible machine to play it on. So, what we have instead is this 2D version and you quickly get the impression you’re missing something. Goodbye to Language is not an easy watch – ideas, images and scenes flit in and out like insects; it’s all a bit inscrutable and unknowable, and surely made more so by not being able to see it as the director intended. It’s frustrating – like watching a football match from behind a concrete pillar – and sadly typical of the way foreign language cinema is treated in this country. If you live out in the sticks, like I do, you have about as much chance of seeing a subtitled picture at your local Odeon as you do of flying to the moon. The arrival of View on Demand (VOD) has alleviated the situation in recent years but even that is of limited use in this case.
Rating: WW

Goodbye to Language is available now on DVD, Blu-ray, 3D Blu-ray and Amazon Prime




Ratings

WWWW = Wonderful
WWW = Worthy
WW = Watchable
W = Woeful


Monday, 12 January 2015

TV movie picks (UK): Monday, January 12 - Sunday, January 18


Instead of having a life, why not watch all the great films on telly this week? Here's a few of them...

TERRESTRIAL: Has there ever been a more convincing movie psychopath than Andy Robinson's Scorpio in Dirty Harry (Wednesday, ITV4, 23:20)? He's absolutely, spectacularly, gloriously deranged, and apparently received death threats after the movie was released. The scene in which he forces the terrified kids on the bus to sing "Row, row, row your boat" hasn't lost any of its power to shock 43 years on. Go on, take a look...

Magnum Force, Clint Eastwood's second outing as San Francisco police inspector Harry Callahan, follows on Friday (ITV4, 21:00). A pre-Hutch David Soul stars in that one as a rogue cop. My favourite scene is where Clint invites him round for a cup of herbal tea and a spot of couscous so they can both explore their feelings. It seems to me Sacha Baron Cohen has spent the last few years resting on his laurels - a misfiring comedy here (The Dictator), voice work on a kids' movie there (Madagascar 3). But Borat: Cultural Learnings of America Make Benefit Glorious Nation of Kazakhstan (Friday, Channel 4, 00.30) showcases the former Ali G at the absolute top of his game, as the titular character travels to the States in a bid to make Pamela Anderson his wife. Filthy and fearless, it's probably the funniest Hollywood comedy of the last decade (like that would be difficult). Great success!



CABLE & SATELLITE: There's a late-night samurai double bill on Film 4 on Friday. First up at 23:10 is blood-drenched revenge flick Shogun Assassin. It's a funny old Frankenstein of a film, being two episodes of the original Japanese Baby Cart series spliced together and dubbed into English. Don't let that put you off though, it's great fun. Even better is Akira Kurosawa's classic Yojimbo (00:55) starring the great Toshiro Mifune as a crafty ronin manipulating two rival gangsters to protect a small town. I used to know someone who'd never seen the film and thought it was called "Yo Jimbo", as in "Yo Jimbo, what time you off to the shops?". Hmm, maybe you had to be there...

The Grand Budapest Hotel won a Golden Globe last night for best musical or comedy and you can still catch it on Sky Premiere this week (Monday-Thursday, 20:00). If you've already seen it or Wes Anderson wackiness isn't your thing, set the PVR for Harmony Korine's hallucinatory and extraordinary Spring Breakers (Wednesday, Sky Select, 02:50), or the moving and life-affirming The Sessions (tonight, Sky Drama, 23:50). Helen Hunt should have won the Oscar in 2012 for her portrayal of a sex therapist treating a journalist left bed ridden by childhood polio.



VOD: New to View On Demand (Virgin Movies, BT TV, Sky Store etc) this week is Leviathan, a Russian film so bleak it makes Les Miserables look like an episode of Russ Abbot's Madhouse (one of the good ones where he does Cooperman). I thought the first hour was great before its unrelenting oppressiveness became too much even for me. I should make an attempt to see it again because it's on a lot of critics' top 10 lists for 2014 but, frankly, life's too short and I'm in a happy place right now. Rather more jolly is Lucy in which drug-mule Scarlett Johansson accidentally ingests a substance which enables her to harness 100 per cent of her brain's potential... and kill lots of people. I'm guessing that if Scarlett could really turn up her brain function to 11 she wouldn't have done those buttock-clenching TV ads for Dolce & Gabbana, with Matthew McConaughey.